Adi Bing Slamet, born Ferdinand Syah Albar on May 6, 1966, is a household name in Indonesia, celebrated for his multifaceted career as a singer, actor, and comedian. As the son of the legendary entertainer Bing Slamet, Adi inherited a rich artistic legacy, blending his father’s charisma with his own unique flair. Among his extensive discography, the album Berjumpa Lagi, released in the early 1980s, stands out as a vibrant testament to his prowess as a child star transitioning into a versatile artist.
Adi Bing Slamet began his career as a child prodigy in the 1970s, captivating audiences with his precocious talent. By the time Berjumpa Lagi was released, Adi was already an established figure, having debuted with the emotionally charged album Mama, inspired by the loss of his father. With over 20 albums to his name, Adi’s ability to connect with listeners through catchy melodies and relatable lyrics made him an icon of his era. Berjumpa Lagi arrived during a period when Indonesian pop was flourishing, influenced by global trends like disco, rock, and Western pop, while retaining a distinctly local flavor.
The album, released on vinyl through Purnama Records, reflects the upbeat and eclectic spirit of the time. It builds on Adi’s earlier successes, such as the hit “Mak Inem Tukang Latah,” and showcases his ability to adapt to evolving musical trends while maintaining his signature charm. The album’s production, features tight arrangements and a polished sound, with contributing musicians from Janis Grup. Adi’s vocals, though youthful, carry a surprising maturity, balancing playfulness with emotional depth.
Berjumpa Lagi features a dynamic collection of songs that highlight Adi’s versatility and the era’s musical diversity. The album includes tracks that blend pop, disco, and light rock, with influences from both Indonesian and international music scenes. It is very likely that many listeners at the time were unaware the album’s tracks were adaptations of Western songs, a fact obscured by Indonesia’s limited access to global media in the pre-internet era. This global influence, seamlessly woven into Adi’s distinctly Indonesian delivery, reflects the subtle reach of international music trends into a relatively isolated cultural landscape.
Berjumpa Lagi was a commercial success, cementing Adi Bing Slamet’s status as one of Indonesia’s top child stars. Its blend of disco and pop resonated with a broad audience, from teenagers to families, who saw Adi as a relatable and endearing figure. The album’s danceable tracks, particularly “Berjumpa Lagi” and “Balla Balla,” became staples at social gatherings and radio playlists, contributing to the disco fever that swept Indonesia in the late 1970s and early 1980s.
The album also marked a pivotal moment in Adi’s career, as he transitioned from a child performer to a teen idol. His ability to tackle diverse genres—disco and pop—demonstrated his versatility and set the stage for his later work in acting and comedy. Fans admired Adi’s ability to carry forward his father’s legacy while carving out his own identity, a balance evident in the album’s mix of nostalgia and modernity.
1. Berjumpa Lagi
Berjumpa Lagi”: The title track, an adaptation of the French song “Haut les Mains” by Ottawan, is a lively, danceable tune that sets the vibrant tone for Adi Bing Slamet’s album. Its infectious rhythm and Adi’s youthful vocals make it a standout, perfectly capturing the disco craze of the early 1980s. The song’s lyrics celebrate the joy of reuniting with a dear friend after a long separation, weaving themes of nostalgia, happiness, and the warmth of rekindled connections. With vivid imagery of singing together as in days gone by and hearts lifted by shared memories, “Berjumpa Lagi” resonates as an anthem of camaraderie and the timeless delight of coming together again.
Berjumpa Lagi lyrics
Berjumpa... dan berjumpa lagi
Senang hatiku berjumpa lagi denganmu kawan
Berjumpa... dan berjumpa lagi
Gembira bernyanyi bersama-sama seperti dulu kala, dulu kala
Indahnya hari ini
Bahagia bersamamu
Dan burung pun bernyanyi merdu
Seakan ia tahu
Rindu hatiku dan hatimu
Selama ini tidak bertemu
Berjumpa... dan berjumpa lagi
Senang hatiku berjumpa lagi denganmu kawan
Berjumpa... dan berjumpa lagi
Gembira bernyanyi bersama-sama seperti dulu kala, dulu kala
Serasa ku bermimpi
Berjumpa engkau lagi
Tak kusangka di hari ini
Dirimu 'kan kembali
Oh senangnya hati ini
Bernyanyi bersama seperti dulu
Berjumpa... dan berjumpa lagi
Senang hatiku berjumpa lagi denganmu kawan
Berjumpa... dan berjumpa lagi
Gembira bernyanyi bersama-sama seperti dulu kala, dulu kala
Sekian lamanya kita berpisah
Aku disini... engkau jauh di seberang sana
Dan hari ini... dan hari ini
Berjumpa... berjumpa
Hatiku bahagia... hatiku bahagia
Tak kusangka aku akan berjumpa
Berjumpa... dan berjumpa lagi
Senang hatiku berjumpa lagi denganmu kawan
Berjumpa... dan berjumpa lagi
Senang hatiku berjumpa lagi denganmu kawan
Berjumpa... dan berjumpa lagi
Senang hatiku berjumpa lagi denganmu kawan
Berjumpa... dan berjumpa lagi
Gembira bernyanyi bersama-sama seperti dulu kala, dulu kala
Berjumpa... dan berjumpa lagi
Senang hatiku berjumpa lagi denganmu kawan
Berjumpa... dan berjumpa lagi
Gembira bernyanyi bersama-sama seperti dulu kala, dulu kala
Berjumpa... dan berjumpa lagi
Senang hatiku berjumpa lagi denganmu kawan
Berjumpa... dan berjumpa lagi
Senang hatiku berjumpa lagi denganmu kawan
Berjumpa... dan berjumpa lagi...
2. Balla-Balla
“Balla Balla”: A cover of the German pop song by The Rainbows, this track is infused with playful, upbeat energy in Adi Bing Slamet’s rendition. With its catchy rhythm and lively vibe, the song invites listeners to sing and dance along, perfectly capturing the carefree spirit of youth. The lyrics of “Balla Balla” revolve around the joy of singing and moving to an infectious tune, while humorously reminding listeners to stay grounded and not neglect responsibilities like school. Balancing fun with a lighthearted caution against getting carried away, Adi’s version adds a distinctly Indonesian charm, making it a beloved anthem for carefree enjoyment with a touch of youthful mischief.
Balla-Balla lyrics
Ha! Hu ha!
Ha! Hu ha!
Mari menyanyi balla-balla
Mari menyanyi balla-balla
Mari menyanyi balla-balla
Mari menyanyi balla-balla
Mari menyanyi balla-balla
Ha!
Balla-balla
Lagunya asik balla-balla
Sambil nyanyi goyang kepala
Terus menyanyi balla-balla
Jangan menari hula-hula
Nanti jadi lupa segala
Hu ha!
Balla-balla
Balla-balla balla-balla balla-balla balla-balla
Balla-balla balla-balla balla-balla balla-balla
Hu ha!
Balla-balla
Hu! Hu ha!
Ha!
Mari menyanyi balla-balla
Ayo semua balla-balla
Lagunya manis macam gula
Asal jangan lupa sekolah
Tak naik kelas siapa bela?
Salah siapa?!
Mari menyanyi balla-balla
Semua nyanyi balla-balla
Goyang badan goyang kepala
Enak lagunya balla-balla
Belajar jangan sampai lupa
Hu ha!
Berbahaya
Balla-balla balla-balla balla-balla balla-balla
Balla-balla balla-balla balla-balla balla-balla
Ha!
Balla-Balla
Mari menyanyi balla-balla
Balla-Balla
Mari menyanyi balla-balla
Ha!
Balla-Balla
03. Hayo Ke Jakarta
“Hayo Ke Jakarta”: Inspired by Harry Belafonte‘s “Day-O (The Banana Boat Song),” this track reimagines the calypso classic with Indonesian lyrics and a tropical vibe, inviting listeners to join the fun in Jakarta.
Hayo Ke Jakarta lyrics
Marilah kita ke Jakarta
Bertamasya ke Jakarta
Melihat megahnya Ibu Kota
Bertamasya ke Jakarta
Marilah kita ke Jakarta
Bertamasya ke Jakarta
Melihat megahnya Ibu Kota
Bertamasya ke Jakarta
Gedung-gedung indah yang menjulang tinggi
Bertamasya ke Jakarta
Lihat Taman Mini Indonesia Indah
Bertamasya ke Jakarta
Ancol dan Pantai Bina Ria
Bertamasya ke Jakarta
Monas, air mancur menyanyi
Bertamasya ke Jakarta
Yo! Yo ayoo
Bertamasya ke Jakarta
Yo! Yo ayoo
Bertamasya ke Jakarta
Yo! Yo ayoo yo ayoo yo ayoo
Bertamasya ke Jakarta
Yo! Yo ayoo yo ayoo yo ayoo
Bertamasya ke Jakarta
Yo! Yo ayoo yo ayoo yo ayoo
Bertamasya ke Jakarta
Yo! Yo ayoo yo ayoo yo ayoo
Bertamasya ke Jakarta
La la la la la la la la la la la
Bertamasya ke Jakarta
La la la la la la la la la la la
Bertamasya ke Jakarta
Yo! Yo ayoo yo ayoo yo ayoo
Bertamasya ke Jakarta
Yo! Yo ayoo yo ayoo yo ayoo
Bertamasya ke Jakarta
Gedung-gedung indah yang menjulang tinggi
Bertamasya ke Jakarta
Lihat Taman Mini Indonesia Indah
Bertamasya ke Jakarta
Ancol dan Pantai Bina Ria
Bertamasya ke Jakarta
Monas, air mancur menyanyi
Bertamasya ke Jakarta
Yo! Yo ayoo
Bertamasya ke Jakarta
Yo! Yo ayoo
Bertamasya ke Jakarta
Yo! Yo ayoo yo ayoo yo ayoo
Bertamasya ke Jakarta
Yo! Yo ayoo yo ayoo yo ayoo
Bertamasya ke Jakarta
Yo! Yo ayoo yo ayoo yo ayoo
Bertamasya ke Jakarta
Yo! Yo ayoo yo ayoo yo ayoo
Bertamasya ke Jakarta
Marilah kita ke Jakarta
Bertamasya ke Jakarta
04. Sha La La
“Sha La La” is a joyful, upbeat pop track that radiates youthful exuberance, inspired by Ottawan’s “Shalala Song” known for its catchy mod-pop energy. The song’s lyrics center on the theme of carefree camaraderie, celebrating a day filled with laughter, singing, and shared happiness among friends. With its invitation to sing a melodious tune together and cherish memorable moments, “Sha La La” captures the essence of youthful joy and the nostalgic beauty of friendship, destined to be fondly remembered in adulthood.
Sha La La lyrics
Sha la la la la wo ow ow
Sha la la la la wo ow ow
Sha la la la la wo ow ow
Sha la la la la wo ow ow
Bertamasya kita semua
Ayolah kita bersama bergembira
Sha la la la la wo ow ow
Sha la la la la wo ow ow
Marilah kawan
wo ow ow
Nanyi bersama
wo ow ow
Lagu yang merdu dan indah
Seiring dan seirama dalam nada
Hari ini hari indah
Penuh gelak dan tawa
Dan bahagia di antara kawan semua
Hari ini hari indah
Untuk dikenang nanti
Di masa kita t'lah menjadi insan dewasa
Sha la la la la wo ow ow
Sha la la la la wo ow ow
wo ow ow
wo ow ow
Lagu yang merdu dan indah
Seiring dan seirama dalam nada
Hari ini hari indah
Penuh gelak dan tawa
Dan bahagia di antara kawan semua
Sha la la la la wo ow ow
Sha la la la la wo ow ow
Marilah kawan
wo ow ow
Nanyi bersama
wo ow ow
Lagu yang merdu dan indah
Seiring dan seirama dalam nada
Sha la la la la wo ow ow
Sha la la la la wo ow ow
Sha la la la la wo ow ow
Sha la la la la wo ow ow
5. Awal Simpati
“Awal Simpati”: Inspired by Bisquit’s “Roller Boogie,” a lively disco track released in 1980, Adi Bing Slamet’s rendition captures the energetic spirit of roller skating culture with its infectious beat and groovy rhythm. The song’s lyrics weave a tender narrative of budding affection, exploring the excitement and nervousness of a young crush sparked by smiles, glances, and heartfelt connections. With themes of youthful longing, daydreams, and the joy of finding a kindred spirit, “Awal Simpati” balances its disco vibrancy with a heartfelt portrayal of innocent romance, resonating with listeners through its relatable emotions and cautionary advice about staying grounded. A favorite among disco enthusiasts, it embodies the carefree yet emotionally rich vibe of the era.
Awal Simpati lyrics
Dari mata ke mata
Dari hati ke hati
Awal datangnya rasa simpati
Dari senyum dan tawa
Dari tegur dan sapa
Semakin dalam kesan di hati
Ingin berdekatan
Ingin berpandangan
Namun hati terasa berdebar
Seribu ucapan...
ingin dikatakan
Namun hilang ditelan lamunan
Hari ke hari dibuai mimpi
Senyumnya tawanya menarik hati
Hari ke hari terasa sepi
Terbayang teman sehati
Siapa yang tak senang
Siapa yang tak sayang
Mendapatkan teman yang sehati
Siapa yang bilang...
tak boleh bergandengan
Asalkan jangan keterlaluan
Jangan lupa diri
Jangan main api
Nenek bilang itu berbahaya
Harus dimengeri
Harus disadari
Janganlah sampai lupa daratan
Hari ke hari dibuai mimpi
Senyumnya tawanya menarik hati
Hari ke hari terasa sepi
Terbayang teman sehati
Hari ke hari dibuai mimpi
Senyumnya tawanya menarik hati
Hari ke hari terasa sepi
Terbayang teman sehati
Hari ke hari dibuai mimpi
Senyumnya tawanya menarik hati
Hari ke hari terasa sepi
Terbayang teman sehati
Hari ke hari dibuai mimpi
Senyumnya tawanya menarik hati
Hari ke hari terasa sepi
Terbayang teman sehati
6. Untukmu, Untukku
“Untukmu Untukku”: Inspired by the 1978 disco hit “One For You, One For Me” by Italian duo La Bionda, Adi Bing Slamet’s rendition retains the song’s catchy melody and upbeat rhythm, transforming it into a playful staple of Indonesia’s 1980s music scene. Unlike the original’s romantic narrative of a lover pleading for connection and a night of shared joy, Adi’s version reimagines the lyrics as a humorous dialogue between Adi and Geboy, centered on the theme of fair sharing. The lighthearted banter about dividing items equally, laced with teasing accusations of cheating, captures a spirited sense of camaraderie and youthful mischief, making it a fun, relatable track for listeners.
Untukmu Untukku lyrics
Geboy:
Ayo Adi, cepat baginya dong
Adi:
Sabar Geboy, akan ku bagi rata
Geboy:
Jangan curang ya
Adi:
E e e, ga percaya
Lihat nih
Buka mata besar-besar
Jangan lengah
Yang satu, untukmu
Yang satu, untukku
Untukku
Untukmu
Untukku
Bagiku
Geboy:
Yey.. Adi curang!
Masa abis situ, situ lagi sih baginya
Adi:
Ah! Dasar cerewet kau Geboy
Makanya lihat yang bener dong
Lihat nih, aku bagi lagi
SUdah siap? Ya!
Yang satu, untukmu
Yang satu, untukku
Geboy:
Ini baru adil namanya
Adi:
Makanya lihat yang betul
Jangan curiga saja
Geboy:
Ayo bagi terus
Adi:
Ini mau dibagi
Tapi matanya jangan kemana-mana
Eu.. curiga aja!
Untukmu
Untukku
Untukku
Bagiku
Geboy:
Tuh!
Kumat lagi ngitungnya
Adi:
Tuh!
Mulai lagi cerewetnya
Mau dibagi tidak?
Geboy:
Iya deh, jangan ngambek dong
Adi:
Uh... Geboy Geboy
Geboy:
Ayo teruskan
Baginya yang rata oy
Satu per satu
Untukmu dan untukku
Adi:
Eh tidak percaya?
Engkau yang bagi saja
Geboy, jangan engkau menuduh sembarangan
Geboy:
Habis Adi baginya kenapa jadi begitu
Satu untukku, masa satu lagi bagiku
Adi:
Aduh Geboy engkau masih tidak juga percaya
Satu untukku sama dengan satunya bagiku
Mata memandang
Kupingnya dipasang
Turut menghitung
Jangan jadi binguuung... yey yey yey
Geboy! Lihat nih, aku bagi lagi
Geboy:
Yang benar ya Di
Adi:
Untukku
Untukmu
Untukmu
Untukku
Betul ga?!
Geboy:
Nah itu baru sip
Adi:
Dari tadi juga sip
Kamu aja yang nggak perhatikan
Yang satu, untukku
Yang satu, untukmu
Bagiku
Bagimu
Bagimu
Bagiku
Geboy:
Sekarang, saya baru yakin
Kalau tadi, baru bangun tidur sih
Jadinya gak jelas
Adi:
Orang ngitung capek-capek, baru yakin sekarang
Bisa ngitung apa enggak sih?
Geboy!
Yang satu, untukku
Nih!
Yang satu, untukmu
Nih!
Yang satu, untukmu
Nih!
Yang satu, untukku
Nih!
Bagimu
Bagiku
Bagiku
Bagimu
Yang satu, untukku
Yang satu...
7. Coba Lagi
“Coba Lagi”: Inspired by Ottawan’s 1980 disco track “Help, Get Me Some Help” from their album D.I.S.C.O., Adi Bing Slamet’s rendition retains the song’s upbeat melody and energetic rhythm, embodying the vibrant spirit of the disco era. While the original lyrics convey a heartfelt plea for emotional support amid loneliness and a desire for companionship, Adi’s “Coba Lagi” transforms the narrative into an uplifting anthem of perseverance and encouragement. The song’s lyrics motivate listeners to overcome self-doubt and persist in the face of challenges, using the metaphor of roller-skating to inspire confidence and determination. With its infectious energy and positive message, Adi’s version resonates as a call to keep trying, making it a spirited addition to Indonesia’s 1980s pop scene.
Coba Lagi lyrics
Tak seharusnya engkau mudah putus asa hai kawan
Tak seharusnya engkau mudah menyerah begitu saja
Tak seharusnya engkau katakan tak bisa hai kawan
Ya coba dulu, pasti dapat asalkan dirimu mau
Coba lagi, sekali lagi
Dan jangan kau ragu dan jangan takut
Ayunkan kakimu, jaga tubuhmu
Jangan sampai dirimu terjatuh
Lihatlah diriku meluncur indah
Bagai anak panah yang melesat
Senangnya bermain sepatu roda
Senam disko dengan sepatu roda
Melaju cepat, semakin cepat, semakin cepat
Tak seharusnya engkau mudah putus asa hai kawan
Tak seharusnya engkau mudah menyerah begitu saja
Tak seharusnya engkau katakan tak bisa hai kawan
Ya coba dulu, pasti dapat asalkan dirimu mau
Coba lagi, sekali lagi
Dan jangan kau ragu, dan jangan takut
Ayunkan kakimu, jaga tubuhmu
Jangan sampai dirimu terjatuh
Lihatlah diriku meluncur indah
Bagai anak panah yang melesat
Senangnya bermain sepatu roda
Senam disko dengan sepatu roda
Melaju cepat, semakin cepat, semakin cepat
Tak seharusnya engkau mudah putus asa hai kawan
Tak seharusnya engkau mudah menyerah begitu saja
Tak seharusnya engkau katakan tak bisa hai kawan
Ya coba dulu, pasti dapat asalkan dirimu mau
Tak seharusnya engkau mudah putus asa hai kawan
Tak seharusnya engkau mudah menyerah begitu saja
Tak seharusnya engkau katakan tak bisa hai kawan
Ya coba dulu, pasti dapat asalkan dirimu mau
La la la la la
La la la la la la la la la la la
La la la la la
La la la la la la la la la la la La
La la la la la
La la la la la la la la la la la
La la la la la
La la la la la la la la la la la La
Tak seharusnya engkau mudah putus asa hai kawan
Tak seharusnya engkau mudah menyerah begitu saja
Tak seharusnya engkau katakan tak bisa hai kawan
Ya coba dulu, pasti dapat asalkan dirimu mau
La la la la la
8. Perawatku
“Perawatku”: Inspired by Ronnie Jones’ disco-funk track “Video Games,” which captures the late 1970s fascination with arcade gaming through its groovy rhythm and electronic flair, Adi Bing Slamet’s rendition reimagines the song with a distinctly heartfelt tone. Unlike the original’s focus on the futuristic thrill of technology, “Perawatku” centers on themes of gratitude and admiration for a compassionate nurse/caregiver. The lyrics beautifully express the emotional comfort and healing provided by a nurturing figure, likening their kindness to parental love. Adi’s version transforms the upbeat melody into a tender ode to the noble role of a nurse, resonating deeply with listeners in Indonesia’s 1980s music scene.
9. Dunia Ini
“Dunia Ini”: Inspired by Keith Foote One Love’s “Don’t Stop the Reggae,” a vibrant reggae anthem that celebrates the genre’s enduring spirit with rhythmic grooves and soulful melodies, Adi Bing Slamet’s rendition shifts the tone to a reflective and moralistic narrative. While the original exudes a lively call to keep reggae’s vibe alive, “Dunia Ini” delves into themes of spiritual awareness and human responsibility. The lyrics lament the world’s accumulating sins, urging listeners to practice love and compassion toward others and to prioritize a pure heart over fleeting material wealth. Adi’s version transforms the upbeat reggae rhythm into a poignant reminder of humanity’s moral duties, resonating as a timeless call for righteousness.
10. Masa Indah Masa Remaja
“Masa Indah Masa Remaja”: Inspired by Three Dog Night’s “Black & White,” a soulful anthem celebrating equality and unity with its harmonious melody, Adi Bing Slamet’s rendition reimagines the song as a nostalgic heartfelt reflection on the beauty and trials of youth. While the original emphasizes social harmony, “Masa Indah Masa Remaja” focuses on the vibrant and bittersweet essence of adolescence, capturing themes of dreams, aspirations, and the emotional rollercoaster of teenage years.
11. Awas! Bahaya
“Awas! Bahaya”: Inspired by Errol Dunkley’s 1979 reggae classic “OK Fred,” a vibrant cover of John Holt’s 1971 original that celebrates a charismatic young man’s charm with catchy rhythms and smooth vocals, Adi Bing Slamet’s rendition transforms the song into a cautionary tale. While the original exudes carefree individuality, “Awas! Bahaya” focuses on themes of vigilance and safety, urgently warning listeners to steer clear of dangerous temptations, metaphorically depicted as high-voltage risks.
12. Gaya Disco
“Gaya Disco”: Inspired by Ottawan’s iconic 1979 hit “D.I.S.C.O.,” which soared on international charts with its catchy chorus spelling out the word “D.I.S.C.O.” to describe a charismatic dancer, Adi Bing Slamet’s rendition captures the infectious energy of the disco era. While the original celebrates an individual’s allure through vibrant choreography, “Gaya Disco” focuses on the collective joy of dancing and embracing the disco lifestyle. The lyrics revel in the rhythm and movement of disco, encouraging listeners to sway their bodies and feet to the beat, embodying the youthful spirit and exuberance of dance culture.
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“Remember, there are no bad crews… only bad leaders.”
“I’ve gotten where I’ve gotten through hard work. I don’t lie. I don’t steal, and I certainly don’t cheat. And I’m not about to start now.”
“They’re not gonna catch us. We’re on a mission from God.”
“No one ever wins a fight”
“¿Quiere usted bailar conmigo?”
“Sate, 200 tusuk makan di sini.”
“There’s no place like home.”
“Say ‘hello’ to my little friend!”
“I love the smell of napalm in the morning.”
“I’m gonna make him an offer he can’t refuse.”
“You talkin’ to me?”



