is an Indonesian punk duo formed in , based in , Central . The group consists of Alectroguy (Muhammad Syifa Al Lutfi) as the guitarist and producer, and Twister Angel (Novi Citra Indriyati) as the vocalist. They gained significant attention after their ” went viral, which critiques police corruption in Indonesia.

Formation and Style

  • Formation: Sukatani was established in 2022 and initially performed anonymously, often wearing balaclavas during their shows. This anonymity was part of their artistic expression, allowing them to focus on their music and message without personal recognition.
  • Musical Style: Their music blends elements of post-punk with influences from anarcho-punk and proto-punk, characterized by bold social commentary in their . They also engage with their audience through unique performances, such as distributing vegetables to promote local farming and sustainability.

“Bayar Bayar Bayar”

  • Song Overview: Released as part of their debut on July 24, , “Bayar Bayar Bayar” addresses systemic corruption within the Indonesian police force. The lyrics highlight various situations where individuals feel compelled to pay off police for services or to avoid penalties.
  • Viral Impact: The song’s candid critique of law enforcement resonated widely on social media, leading to its viral status. However, it also attracted negative attention from authorities.
  • Withdrawal and Controversy: On February 20, , Sukatani announced the withdrawal of “Bayar Bayar Bayar” from all music platforms following pressure from the police. They issued a public apology to the Chief of Police, revealing their identities for the first time in this context. This act of withdrawal spurred discussions about of expression in Indonesia and led to significant backlash against the police for perceived intimidation tactics.

Consequences and Legacy

The withdrawal of “Bayar Bayar Bayar” did not diminish its popularity; instead, it became an anthem for protests among Indonesian students in 2025. The incident raised critical questions about artistic freedom and the relationship between musicians and state authorities in Indonesia.

In summary, Sukatani’s emergence as a punk duo reflects a blend of musical creativity and social activism, with “Bayar Bayar Bayar” serving as a pivotal point in their narrative—highlighting both the power of music as a form of protest and the challenges faced by artists in oppressive environments.


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